Marketing Assistant Resume Examples and Templates for 2026
3 Best Production Assistant Resume Examples and Templates for 2026
By Andrew Stoner
, Executive Resume Writer and Career Coach
Andrew Stoner
Last Updated:
October 8, 2026
Tip !
The production assistant resumes that get scheduled for an interview share three things: credits listed with department and role scope, named software like Movie Magic or Scenechronize, and a contact who will actually pick up the phone.
Featured Example
Why this resume works
- Real on-set responsibilities, not just coffee runs: Lock-ups, talent transport, and stepping in as 2nd 2nd AD show this PA can be trusted with real production tasks.
- Numbers that tie to actual production scale: Crew of 60+, 47 background talent, 12 shoots within 4% of budget tell hiring producers exactly what size show this person can handle.
- Range across formats: Docuseries, branded content, and an indie feature shows flexibility, which is exactly what production coordinators want when staffing up.
Entry Level Example
The entry level production assistant has one or two short film credits, festival shoots, or unpaid student sets. This resume needs to prove you can run a walkie, lock up a set, and follow a call sheet without being told twice.
Why this resume works
- Shows real paid set days, not just school projects: 11 day-play days on commercial shoots proves this candidate already knows how a working set runs.
- Honest about the tier without underselling: Listing student coordinating work alongside paid PA days gives a producer a fuller picture of what tasks Devon can already handle.
- Local knowledge matters in Atlanta: Mentioning the city film office and APD lock-ups signals familiarity with how the Georgia market actually operates.
Experienced Example
The experienced production assistant has a year or more of paid set days across features, episodics, or commercials, often with a key PA or 2nd 2nd AD bump. This resume needs to prove you can manage background, run paperwork, and hold a set without supervision.
Why this resume works
- Clear path from day-play to Key PA: Seven years moving from commercials to features to episodic series shows the kind of progression ADs look for when promoting up.
- Supervisory work is called out plainly: Managing 6 to 9 PAs and training 14 new hires makes it clear this candidate is past entry-level, even though the title is still PA.
- Credentials match the next step: Mentioning the DGA Trainee track and OSHA 10 signals readiness for AD roles, which is what a hiring UPM wants to see.
Text Version Production Assistant
Jamal Whitfield
Austin, TX | (512) 555-0167 | [email protected] | linkedin.com/in/jamalwhitfield
PROFESSIONAL SUMMARY
Production Assistant with five years across narrative features, music videos, and live-event capture in the Austin and Dallas markets. Known for clean paperwork, calm walkie voice, and the ability to read what an AD needs before they ask. Looking to grow into a coordinator track on episodic work.
EXPERIENCE
Set Production Assistant
- Set PA on two Texas-shot indie features and a 4-night live concert capture at Moody Center
- Held base camp lock-ups across 31 shoot days, managed crew sign-in and visitor passes for a daily average of 78 people
- Distributed sides and call sheets via Croogloo, chased missing time cards from 25+ crew before each weekly payroll
- Coordinated craft service from a $215 daily float, kept allergens and dietary needs tracked accurately for principal cast
- Filled in as 2nd 2nd AD for 6 days during a unit move to Marfa, ran background wrangling for a 60-extra crowd scene
Office Production Assistant
- Supported the UPM and production coordinator on a SXSW-premiered feature with a $3.8M budget
- Processed start paperwork for 112 crew in Cast & Crew, kept the deal memo tracker current daily
- Managed the production office phones, handled vendor calls from Panavision, Quixote, and local lighting houses
- Booked crew travel for a 2-week Marfa block, including lodging, rental vehicles, and per diems
Day-Play Production Assistant
- Day-played on 22 commercial shoots in 9 months for clients including HEB, Whataburger, and Visit Austin
- Ran talent holds for on-camera spokespeople, kept hair and makeup informed of schedule shifts
- Loaded and unloaded G&E trucks at wrap, double-checked equipment lists against the rental house manifest
Music Video Production Assistant
- Worked 14 music video shoots for regional hip-hop and country artists, often as the only PA on small crews
- Scouted and locked down 5 outdoor locations in Deep Ellum and Fair Park, secured verbal permissions and parking
- Handled cash payouts to background talent, reconciled against producer’s petty cash log nightly
Production Intern
- Shadowed line producer on a 12-day student feature shooting on the UNT campus
- Built daily shot lists and one-liners in Movie Magic Scheduling under the 1st AD’s supervision
- Handled craft service for 18 crew on a $50 daily budget, sourced donations from three local cafes
EDUCATION
- B.A. Radio-Television-Film, University of North Texas, 2019
- Set PA Bootcamp Certificate, Austin Film Society, 2020
SKILLS
- StudioBinder
- Croogloo
- Movie Magic Scheduling
- Cast & Crew Start+
- Google Workspace and Slack
- Call sheets, sides, and wrap reports
- Walkie distro and channel discipline
- Petty cash and per diem tracking
- Crew travel and lodging booking
- Location scouting and lock-ups
- Background wrangling
- Texas driver’s license, clean record
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How To Write a Production Assistant Resume
01 Open with a profile that names your set scope
Your profile should state the production types you’ve worked (feature, episodic, commercial, music video, streaming), the departments you’ve supported, and your total paid set days.
Name the union status of the sets, the rough budget tier, and whether you’ve worked set PA, office PA, or art department PA. Production managers and line producers staff fast, and they read this block to decide if you fit the call sheet they’re building.
02 Quantify shoot scale, not adjectives
Production assistant work translates into scope numbers a coordinator can verify. Name your shoot days, crew size, background counts, and the number of locations you helped manage.
Bullets without scope tend to read as duties, so pair each task with a number. Strong resumes show lines like ‘wrangled 80 background across 4 locations over a 12-day shoot’ instead of ‘helped with background.’ Coordinators scan for that scale first.
03 Group credits by department and role
Cluster your work into 3 to 5 categories that match how crews are built: set operations, background and locations, production office, art and props, and post or transpo.
Under each, name what you actually did. Set ops covers lockups, walkies, and crew runs. Office covers call sheets, distros, and petty cash.
Art covers continuity photos, prop returns, and on-set dressing. Production managers and line producers read by department.
04 Place credits, tools, and paperwork up top
Put a credits block on page one, formatted like an IMDb line: title, format, role, production company, director or UPM. List the software you run (Movie Magic Scheduling, Scenechronize, StudioBinder, Croogloo) and the gear you handle (walkies, Comteks, releases).
Add any safety or certification cards (OSHA 10, set medic basics, CDL if you have one). Line producers need this visible early because it answers whether they can deploy you on day one.
05 Close with relevant training and references
End with film school, workshops, or PA bootcamps, plus a short references line naming a coordinator or 2nd AD who will vouch for you. Skip high school and unrelated hospitality work unless you have nothing else.
If you’re early, a ‘workshops and training’ line covering set etiquette, walkie protocol, and union basics carries weight. Coordinators staffing low-budget shows read this section before calling for a reference.
Most Popular Skills on Production Assistant Resumes for 2026
The production assistant resumes that get callbacks share a specific skill mix. The lists below come from our user-built production assistant resumes. Production managers and line producers scan for these patterns first, not soft language about being a team player or passionate about film.
They want to see the paperwork software you’ve touched and the on-set tasks you’ve handled solo. Match the hard skills against the call sheet language in the posting, and use the soft skills as evidence behind specific credit bullets.
| Soft Skills | % of resumes with this skill |
|---|---|
| Communication | 68% |
| Organization | 50% |
| Time management | 42% |
| Teamwork | 39% |
| Adaptability | 29% |
And here are the top hard skills showing up most often.
| Hard Skills | % of resumes with this skill |
|---|---|
| Production set support | 75% |
| Equipment handling | 50% |
| Video editing software | 48% |
| Camera operation | 40% |
| Scheduling and call sheets | 27% |
Based on data from thousands of production assistants’ resumes built on ResumeTemplates.com, May 2026.
Must Have on a Production Assistant Resume
These are the must-haves hiring teams look for when scanning a production assistant resume.
Niche Keywords for ATS Checkers
Production managers and line producers expect to see department-specific vocabulary in your skills and credits blocks. Group your keywords the way crews are built so the parser tags you for the right call.
| Niche | Keywords ATS scans for |
|---|---|
| Set operations | set pa, lockups, walkie operation, background wrangling |
| Production office | office pa, call sheet preparation, distros, petty cash tracking |
| Scheduling software | movie magic scheduling, studiobinder, scenechronize, croogloo |
| Format and credits | feature film pa, episodic pa, commercial pa, music video pa |
| Art and locations | art department pa, continuity photos, location releases, prop returns |
How to List Credits and Awards on a Production Assistant Resume
Credits do more work on a production assistant resume than any bullet list. A line producer can read a clean credits block in under a minute and know whether to call you.
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Feature: 'The Cold Room' (Feature, A24-adjacent indie), Set PA, dir. M. Alvarez, Sable Pictures, 24 shoot days
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Episodic: 'Harbor Street' S2 (Drama, Streaming), Office PA, eps 201 to 208, UPM J. Chen, Lantern Productions
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Commercial: Subaru 'Open Road' spot, Key PA, dir. R. Okafor, Smuggler, 3 shoot days across 2 locations
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Short: 'Pilot Light' (Short, Festival), Art Department PA, dir. T. Wu, won Best Cinematography, Heartland Film 2025
Production Support Credentials That Get You the Job
A clean driving record and reliable transportation keep you eligible for most PA postings. The certifications below are what move a production assistant resume from the qualified-but-typical stack into the shortlist a line producer actually calls. List each with the issuing body and expiration date.
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OSHA 10-Hour General Industry: Signals you understand basic set safety, fall protection, and lockup awareness. Many union-adjacent shows now ask for it on the deal memo.
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Set PA Training (Maine Media, NYFA, or AFI workshops): A recognized PA bootcamp tells coordinators you know walkie protocol, call sheet flow, and on-set hierarchy before day one.
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Commercial Driver's License (CDL) or Clean Class C with Box Truck Experience: Opens transpo PA work and small-vehicle runs. Note the class and any restrictions on the resume credentials line.
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Red Cross First Aid and CPR: Useful on remote locations and small crews without a dedicated set medic. List the issue date and renewal window.
Latest BLS Statistics for Production Assistants
Production assistant is a narrow occupation in BLS reporting, which means supply matters and specific credits read as differentiation. The day rate market also runs alongside the salaried numbers, so the reported median understates what experienced freelance PAs pull across a busy year.
To position above the median in this field, lead the resume with the productions you’ve credited and the departments that asked you back, not the general skills you learned in school.
Where you stand
Entry tier
$43,060 to $83,480 At the entry tier, lead with student or short film credits, walkie and call sheet fluency, and any OSHA 10 or PA workshop training.Mid band
$83,480 to $198,530 At the mid band, your resume needs to show paid set days across formats, named coordinators as references, and software like Movie Magic or Scenechronize.Top decile
$198,530+ At the top decile, lead with key PA or 2nd 2nd AD bumps, union-adjacent feature credits, and department heads who rebook you.Top-paying states
| # | State | Avg. Annual |
|---|---|---|
| 1 | California | $122,150 |
| 2 | New Jersey | $107,850 |
| 3 | New York | $104,010 |
| 4 | District of Columbia | $99,900 |
| 5 | Delaware | $93,930 |
| 6 | Connecticut | $85,710 |
| 7 | Florida | $81,240 |
| 8 | Oregon | $80,610 |
| 9 | Washington | $79,220 |
| 10 | Massachusetts | $79,100 |
Highest-employment states
| # | State | Workers | Median |
|---|---|---|---|
| 1 | California | 35,650 | $122,150 |
| 2 | New York | 29,720 | $104,010 |
| 3 | Florida | 8,160 | $81,240 |
| 4 | Texas | 7,270 | $63,400 |
| 5 | Pennsylvania | 4,400 | $72,450 |
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Frequently Asked Questions
How do I write a production assistant resume with no on-set experience?
Lead with any unpaid student film, festival volunteer, or campus TV work you've done. Frame it the way a crew would read it: title, format, role, and what department you supported.
Add a workshops line covering PA training, walkie etiquette, and set safety. Close with transferable jobs that prove stamina and discretion, like catering, valet, or warehouse work.
Skip the objective statement. Coordinators read for credits and gear, not goals.
How do I list freelance production assistant work on a resume?
Use a credits format, not a job format. Group work under one heading called 'Freelance Production Assistant' with your city and active years.
Under that heading, list each project as a line: title, format, role (set PA, office PA, art PA), production company, and UPM or coordinator. Add shoot length in days or weeks.
This mirrors how IMDb and call sheets read, and it saves coordinators from scrolling through separate job entries for every two-week gig.
How do I format a production assistant resume for a TV or streaming role?
Episodic shows want to see episode counts, season length, and whether you worked stage or location. Format each credit with the show title, network or platform, season, episode count you covered, and your specific role.
Name the AD team if you can: the 1st AD, UPM, or key PA who hired you. Streaming coordinators cross-check references fast, and a named contact moves you up the call list.
Should I include my IMDb link on a production assistant resume?
Yes, if your IMDb page lists actual credits that match what's on the resume. Put the link in the contact block next to your phone and email.
If your IMDb is thin or unverified, leave it off and put the credits directly on the resume. A mismatch between IMDb and your resume reads as a flag to coordinators who check both.
Which resume template works best for a production assistant?
For a production assistant, a modern template is the safest pick, because it shows visual polish while keeping your work the focus. A creative template is a solid alternative. Whichever you choose, keep the formatting clean and easy to parse: clear section headings, a standard font, and no graphics a parser can choke on.
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Executive Resume Writer and Career Coach
Andrew Stoner is an executive career coach and resume writer with 17 years of experience as a hiring manager and operations leader at two Fortune 500 Financial Services companies, and as the career services director at two major university business schools.